Milton Avery (1885-1965)
Burned Hill by the Sea, 1938
watercolor and gouache on paper
22 ½ x 30 ½ in.
Milton Avery (1885-1965)
Sketcher and Watcher, 1944
gouache on paper
22 ½ x 30 ½ in.
Milton Avery (1885-1965)
Yellow Jacket, circa 1942
oil on canvas
36 ¼ x 24 1/8 in.
Gifford Beal (1879-1956)
Central Park, circa 1930
oil on board
18 1/2 x 24 1/2 in.
Thomas Hart Benton (1889-1975)
Study for ‘Instruction,’ circa 1940
tempera on gessoed canvas board
20 7/8 x 14 3/8 in.
Thomas Hart Benton (1889-1975)
Study for ‘Still Life with One Red Rose,’ 1943
oil on board
7 x 4 ¾ in.
Harry Bertoia (1915-1978)
100 Rods of Sound, circa 1970s
beryllium copper, brass, and silver
34 ½ x 8 x 8 inches
George Biddle (1885-1973)
Cuban Farm, 1925
oil on canvas
16 x 36 1/8 in.
Charles Ephraim Burchfield (1893-1967)
Haunted Evening, 1919
watercolor and pencil on paper
3 ¾ x 5 ¼ in.
Alexander Calder (1898-1976)
Planetary Motion, 1964
ink and gouache on paper
29 x 42 ¼ in.
Ralston Crawford (1906-1978)
St. Louis Cemetery No. 2, 1954
oil on canvas
16 x 12 in.
Beauford Delaney (1901-1979)
Untitled, 1963
mixed media on paper
26 x 19 ½ in.
Charles Demuth (1883-1935)
Cyclamen, 1918
watercolor and pencil on paper
14 x 10 in.
Werner Drewes (1899-1985)
Untitled Collage #211, 1975
collage
5 x 8 ⅜ inches
Werner Drewes (1899-1985)
Untitled Collage #247, 1976
collage
4 ⅝ x 6 ⅜ inches
Werner Drewes (1899-1985)
Untitled, circa 1940s
oil on vellum
5 x 6 7/8 in.
Perle Fine (1905-1988)
Ideomorphic Composition #1, 1942
oil on canvas
34 x 34 in.
Gertrude Greene (1904-1956)
Untitled, 1939
paper collage on paper
6 ½ x 10 ½ in.
Robert Gwathmey (1903-1988)
Two Tables with Fruit, 1975
oil on canvas
36 1/8 x 30 ¼ in.
Marsden Hartley (1877-1943)
Little River after Rain – Franconia, New Hampshire, 1930
oil on canvas board
16 x 12 ⅞ in.
Lester Frederick Johnson (1919-2010)
Crowd of People, 1973
oil on canvas
29 ⅞ x 39 ¾ in.
Gaston Lachaise (1882-1935)
Standing Nude, 1933
graphite on paper laid down on board
19 x 12 in.
Robert Laurent (1890-1970)
Hero and Leander, 1942
carved mahogany
19 (h) x 22 (w) x 14 (d) in.
Jonas Lie (1880-1940)
Aquinnah Cliffs, Gay Head, Martha’s Vineyard, circa 1934
oil on canvas
30 ⅛ x 45 in.
Herman Maril (1908-1986)
Intide, 1958
oil on canvas
23 ½ x 40 in.
John Marin (1870-1953)
Morse Mountain and Vicinity, 1931
oil on canvas
14 ⅛ x 18 ⅛ in.
George L. K. Morris (1905-1975)
Abstraction with Mauve and Green, 1949
gouache and pencil on paper
8 ¼ x 10 5/8 in.
Jerome Myers (1867-1940)
Billy Rose’s Music Hall, circa 1934
oil on canvas
30 x 40 in.
Fairfield Porter (1907–1975)
Double Portrait, 1968
oil on canvas
29 x 36 in.
Judith Rothschild (1921-1993)
Still Life, 1948
oil on canvas
20 x 20 in.
Rolph Scarlett (1889-1984)
Geometric Drawing, circa 1940
ink on paper
15 x 11 in.
John Sloan (1871-1951)
Well in the Garden, 1925
oil on canvas
20 ⅛ x 16 in.
Joseph Stella (1877-1946)
Tropical Moonlight, circa 1930s
watercolor and gouache on paper
18 ¼ x 21 ½ in.
Alma Woodsey Thomas (1891-1978)
Untitled (Still Life), circa 1957
oil on canvas
24 x 18 in.
George Tooker (1920-2011)
Mother and Child, 1982
egg tempera on gessoed panel
22 x 18 in.
George Tooker (1920-2011)
Table I, 1959
egg tempera on gessoed panel
24 x 28 in.
Max Weber (1881-1961)
Primitive Head, 1917
oil on board
8 3/8 x 5 3/8 in
Steve Wheeler (1912-1992)
Untitled #109, circa 1939 - 1942
oil on panel
7 x 10 in.
Marguerite Zorach (1887-1968)
Kate and Oscar Gibbons, Maine (Cook’s Holiday), 1930
oil on canvas
34 1/8 x 44 1/8 in.
William Zorach (1889-1966)
Fishermen’s Children, 1919
oil on canvas
24 x 20 ⅛ inches
