Milton Avery (1885-1965)
Burned Hill by the Sea, 1938
watercolor and gouache on paper
22 ½ x 30 ½ in.
Milton Avery (1885-1965)
Sketcher and Watcher, 1944
gouache on paper
22 ½ x 30 ½ in.
Milton Avery (1885-1965)
Yellow Jacket, circa 1942
oil on canvas
36 ¼ x 24 1/8 in.
Thomas Hart Benton (1889-1975)
Study for ‘Pool in the Woods,’ circa 1944
oil en grisaille on masonite
10 x 8 ¼ in.
George Biddle (1885-1973)
Cuban Farm, 1925
oil on canvas
16 x 36 1/8 in.
Rae Sloan Bredin (1880-1933)
The Spring House (The Farm), circa 1915
oil on canvas
25 1/8 x 30 1/4 in.
Charles Ephraim Burchfield (1893-1967)
Haunted Evening, 1919
watercolor and pencil on paper
3 ¾ x 5 ¼ in.
Paul Cornoyer (1864-1923)
Washington Square, circa 1900
oil on canvas
22 1/4 x 27 in.
Ralston Crawford (1906-1978)
St. Louis Cemetery No. 2, 1954
oil on canvas
16 x 12 in.
Lockwood de Forest (1850-1932)
Hillside with Ruins, Egypt, 1876
oil on paper laid down on canvas
7 ¼ x 9 ⅝ in.
Lockwood de Forest (1850-1932)
Moonrise, circa 1880
oil on board laid down on canvas
7 ¼ x 9 ⅝ in.
Charles Demuth (1883-1935)
Cyclamen, 1918
watercolor and pencil on paper
14 x 10 in.
Werner Drewes (1899-1985)
Untitled Collage #247, 1976
collage
4 ⅝ x 6 ⅜ inches
Edwin L. Fulwider (1913-2003)
The Vanishing American, 1937
oil on canvas
24 1/4 x 30 1/4 in.
Gertrude Greene (1904-1956)
Untitled, 1939
paper collage on paper
6 ½ x 10 ½ in.
Robert Gwathmey (1903-1988)
Two Tables with Fruit, 1975
oil on canvas
36 1/8 x 30 ¼ in.
Robert Henri (1865-1929)
Cottage in County Mayo, 1913
oil on panel
12 ¾ x 16 in.
Robert Henri (1865-1929)
Sarah B, 1924
oil on canvas
24 x 20 in.
Abraham Leon Kroll (1884 – 1974)
The Letter, circa 1930
oil on canvas
26 ½ x 42 ¼ in.
Gaston Lachaise (1882-1935)
Standing Nude, 1933
graphite on paper laid down on board
19 x 12 in.
Robert Laurent (1890-1970)
Hero and Leander, 1942
carved mahogany
19 (h) x 22 (w) x 14 (d) in.
Doris Emrick Lee (1904-1983)
The Widow, 1935
oil on canvas
25 x 30 1/8 in.
Jonas Lie (1880-1940)
Aquinnah Cliffs, Gay Head, Martha’s Vineyard, circa 1934
oil on canvas
30 ⅛ x 45 in.
Herman Maril (1908-1986)
Intide, 1958
oil on canvas
23 ½ x 40 in.
Reginald Marsh (1898-1954)
Eldorado: The Sorrow and Futility of Man Before the Beauty of Woman, 1946
mixed media on paper
22 x 29 ⅝ in.
George L. K. Morris (1905-1975)
Abstraction with Mauve and Green, 1949
gouache and pencil on paper
8 ¼ x 10 5/8 in.
Dale Nichols (1904-1995)
Supper, 1940
oil on canvas
20 x 24 in.
Charles Sprague Pearce (1851-1914)
The Artist’s Wife, circa 1900 - 1905
oil on canvas
16 1/8 x 10 5/8 in.
Guy Pène du Bois (1884-1958)
Supper Club, circa 1925
oil on canvas
20 x 24 in.
Jane Peterson (1876-1965)
Venetian Canal, circa 1928
oil and gouache on paper laid down on board
25 ½ x 19 ½ in.
Maurice Brazil Prendergast (1858-1924)
Ponte Gianbattista-Gallucioli, circa 1898-1899
watercolor and pencil on paper
15 x 11 in.
Mary Elizabeth Price (1877-1965)
Hollyhocks and Delphiniums
mixed media with silver leaf on paper
18 ¾ x 24 in.
John Singer Sargent (1856-1925)
Polly Barnard (Girl in White Muslin), 1889
oil on canvas
32 ¼ x 26 ¾ inches
Rolph Scarlett (1889-1984)
Untitled, circa 1940
ink on paper
15 x 11 in.
Joseph Stella (1877-1946)
Tropical Moonlight, circa 1930s
watercolor and gouache on paper
18 ¼ x 21 ½ in.
John Henry Twachtman (1853-1902)
View from East Gloucester (The Ferry Landing, View of East Gloucester), circa 1900
oil on panel
12 x 9 ¼ in.
Julian Alden Weir (1852-1919)
The Dutch Shoe, 1890
oil on panel
21 x 15 in.
Steve Wheeler (1912-1992)
Untitled #109, circa 1939 - 1942
oil on panel
7 x 10 in.
James McNeill Whistler (1834-1903)
Campanile at Lido, 1879
pastel on brown paper
8 x 11 7/8 inches
Andrew Wyeth (1917-2009)
Sunflowers, 1982
watercolor on paper
18 ½ x 23 ¾ in
